Developing generative software (emergent clocks) to control sound compositions for sound installations.
The Invisibility of Colour, 2023, 20-channel - in situ - sound installation at gallery SANAA, 2,5 x 5m
The Invisibility of Colour
20th May 2023 – 10th June 2023
Opening: Saturday 20th of May 4pm
Performance: 3th of June at 8pm and 4th of June at 1:45pm
Jansdam 2, Utrecht
Open: Wed - Sat, 1- 6pm
Gallery SANAA in Utrecht presents The Invisibility of Colour by artist Harm van den Berg. The exhibition consists of a sound installation, drawings, and a performance.
In his drawings and sound installations, Harm van den Berg (1970) investigates natural processes that blur the interface between nature and culture. These processes - often invisible to the human eye - shape the visible world through phenomena such as self-organization, complexity, and emergence.
The Invisibility of Colour is part of Van den Berg's research into emergent processes, or spontaneous phenomena. These phenomena are common in nature. Think of a flock of birds that shows fantastic shapes in the sky. A colony of ants that makes the most amazing structures. Or fireflies blinking in perfect sync by the thousands. This swarming behaviour is not much different from how atoms and small particles interact. Colour, for example, is also an emergent phenomenon: atoms have no colour, colour only appears when there are a large number of atoms in a certain arrangement.
For the sound installation, Van den Berg interviewed people to name and describe colours. Hundreds of these spoken colours sound through 20 invisible loudspeakers spread over a large white surface.
The pencil drawings show detailed structures that are created by the frequent repetition of elements such as triangles, lines, or circles. The drawings show the result of an emergent process, initiated by the spontaneous self-organization during the drawing process.
Part of the drawings shown in the exhibition is a digital inversion of the original drawings. The surface of the high-quality piezo prints is deep black, and the drawing is white. It gives the drawn structures more depth.
Together with Junko Murakawa, Harm van den Berg makes abstract electronic music with semi-modular synthesizers. By short-circuiting these instruments via a patch bay, self-generating and spontaneously self-organizing sounds are created.
Under the name Midori Iro, Junko and Harm create unpredictable sonic landscapes ranging from subtle harmonies to extreme dissonances. Junko's inimitable voice - from devoutly sung old Japanese hymns to raked-up manuals - adds an extra dimension to the hypnotic electronic sounds of simmering synthesizers.
Their performance will take place on Saturday, 3th of June at 8:00 PM (with Japanese snacks). And 4th of June at 13:45
Harm van den Berg's work has been exhibited in, among others, Museum Belvédère, Museum De Paviljoens, Kunstvereniging Diepenheim, Netherlands Media Art Institute (NIMk), Galeria Klovicevi in Zagreb, Crossing Border Festival, Zoo Gallery in Nantes, W139, Arti et Amicitiae, Goethe-Institut, and AC Institute in New York City.
The exhibition can be seen at Galerie SANAA, Jansdam 2, Utrecht. More information about the artist can be found at www.harmvandenberg.nl.
For more information, images, or interview requests, please contact the gallery via firstname.lastname@example.org or +31 (0)30 231 42 18.
Publication of eight pages in Liter magazine about my drawings, April 2023
With work by jubilee guest writer Jon Fosse, an interview with Arnon Grunberg, essays, stories, poems, book reviews and much more...